銀嵐 (Silver Storm) - OI007

by Shinobu Nemoto

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1.
ONE 05:06
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TWO 05:06
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THREE 05:06
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FOUR 05:06
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FIVE 05:06
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SIX 05:06
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SEVEN 05:06
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EIGHT 05:06
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NINE 05:06

about

「この音楽はアナログフィルターの自己発振と自動化されたいくつかのデバイスの相互作用によって作られました。この装置はどこにでも設置可能で熱感知センサーによってデバイスのパラメータを任意に制御することもできます。私はいずれ小型化されたこの装置を作るでしょう。私が特に興味を持ったのは、アナログフィルターの自己発振です。何かが臨界点に達するとそれは音を発します。アナログフィルターに関して、レゾナンスがCutoffに自己言及を強いるときフィルターは音を発します。しかし、フィルターの自己発振に関して問題が残ります。それはこの自己発振の契機は何か?という問いです。これはサウンドインスタレーションなどの方法でフィルタとは別のデバイスを用いることで解決出来る問題かも知れません。又、私は通常音楽制作に関して客観性を軽視しますが、自己言及のフィードバックには興味があります。それは自我を破壊する作用を持ちます。私は表現主義的な自己破壊のプロセスよりも、形式主義的な方法を私の実験的な音楽に組み込みます。その自己破壊の後、私たちはどこに行くでしょうか?いいえ、この問い自体が無意味でしょう。ある種の意識/無意識の為の実験的なシミュレーション。瞑想を破壊する為の瞑想。無限のフィードバックはわずかな差異を作りながら常に私たちをを更新し続けるでしょう。」

アンドレ、オーガニック インダストリー、どうもありがとう。
- Shinobu Nemoto


"This music was made by the self-oscillation of the analog filter and the interaction of some automated devices. I can install this device anywhere and can control the parameter of the device by a heat perception sensor arbitrarily. I will make the device downsized sometime soon. It is a self-oscillation of the analog filter that I was interested in particular. When something reaches the critical point, it emits a sound. About an analog filter, When Resonance forces Cutoff to self-reference, the filter emits a sound. However, a question is left about the self-oscillation of the filter. That question is "What kind of opportunity does the self-oscillation occur in?" It may be performed with the device different from the filter by the method such as the sound installation.
Also, I usually downplay objectivity about music production, but am interested in feedback of the self-reference. It has action to destroy self. I want to incorporate a method formalism-like than the process of the expressionism-like self‐destruction in my experimental music. Where will we go to after this self‐destruction? No, this question in itself will be meaningless. Experimental simulation for certain consciousness / unconsciousness. Meditation to destroy meditation. The infinite feedback will continue always updating us while making a slight difference.”

Thanks to Andre / Organic-Industries.
- Shinobu Nemoto

credits

released April 20, 2013

Written and produced by Shinobu Nemoto:
moufu-rokuon [at] opal.plala.or [dot] jp

Photography inside by Jürgen Heckel:
sogar [at] monohr [dot] com

Cover photography and design by Andre Gansebohm
info [at] organic-industries [dot] com

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